Russian Painter, 1716-1795  Related Paintings of Antropov, Aleksei :. | Portrait of A.M | Portrait of Catherine II | Portrait of Maria Rurnyantseva | Self portrait | Portrait of Father Fyodor Dubyansky |
Related Artists:
Johan Christoffer Boklund
(15 July 1817 - 9 December 1880) was a Swedish history, genre, and portrait painter from Kulla-Gunnarstorp in Scania.He was the son of a gardener. At the age of fifteen, Boklund came to Lund, where he worked on illustrations for Sven Nilsson's works on Scandinavian fauna (under the supervision of Magnus Körner). He then became a student at the Royal Danish Academy of Fine Arts in Copenhagen where J. L. Lund was his teacher. In 1837, Boklund went to Stockholm and began studying at the Royal Swedish Academy of Arts. He made a living as a lithograph and drawing teacher, and produced several small genre paintings of the everyday life (such as Flicka med blomster (English: Girl with flowers) and Köksinteriör (English: Kitchen interior)) and history paintings of the 17th century (such as Gustaf Adolfs afsked från Maria Eleonora (English: Gustaf Adolf's farewell from Maria Eleonora), which was awarded with a medal at the academy). Together with fellow Swedish painter Johan Fredrik Höckert, Boklund traveled to Munich in Germany in 1846 and stayed there for eight years. During the summers he went on study trips to Bavaria, Tyrol, and northern Italy. During this period, Boklund primarily devoted his painting to the history genre with subjects from the 17th century, but he also made some paintings depicting picturesque and architectural interior. In 1853, he sent his painting Den nyfikne trumpetaren (English: The curious trumpet player) home to Sweden and it earned him a scholarship from the government. This allowed Boklund to move to Paris, where he worked at Thomas Couture's atelier from 1854 to 1855. In December 1855 he returned to Sweden.
Herring, John F. Sr.
British, 1795-1865
Merson, Luc-Olivier
French Painter, 1846-1920 French painter and illustrator. He was the son of the painter and art critic Charles-Olivier Merson (1822-1902) and trained initially at the Ecole de Dessin in Paris under Gustave Adolphe Chassevent (1818-1901) and then at the Ecole des Beaux-Arts under Isidore-Alexandre-Augustin Pils. He made his d?but at the Salon in 1867 and won the Grand Prix de Rome in 1869 with the melodramatic work, the Soldier of Marathon (1869; Paris, Ecole N. Sup. B.-A.). As a prizewinner he then spent five years in Italy, where he was impressed and influenced by the works of the Italian Primitives, as is apparent in such works as St Edmund, King and Martyr (1871; Troyes, Mus. B.-A. & Arch?ol.), with its muted colours and rigid composition. In the Salon of 1875 he exhibited Sacrifice for the Country, St Michael, which had been commissioned as a design for a Gobelins tapestry for the Salle des Ev?ques in the Panth?on, Paris. Soon afterwards he was chosen to decorate the Galerie de St Louis in the Palais de Justice, Paris, with scenes from the life of Louis IX. This resulted in two large works, Louis Opening the Doors of the Gaols on his Accession and Louis Condemning Sire Enguerrand de Coucy (both 1877). He also used historical, often religious, subjects for his smaller-scale works, as in St Francis of Assisi Preaching to the Fish (1880; Nantes, Mus. B.-A.).